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Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her. No one is listening, fortunately, to this gratuitous correction, or hot words might have been the result. Sir Nicholas and Geoffrey are laughing over some old story that has been brought to their recollection by this idle chattering about the Chetwoodes' ball; Jack and Violet are deep in some topic of their own. "You?" says Mona, with extreme hauteur and an unpleasant amount of well-feigned astonishment. She does not deign to go to meet him, or even turn her head altogether in his direction, but just throws a swift and studiously unfriendly glance at him from under her long lashes..
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"Oh, if—if—if!" interrupts he. "Is it that you are afraid for yourself? Remember there is 'beggary in the love that can be reckoned.'" Do paint the meadows with delight." "I must go now. Good-night," says Mona, kindly if coldly. He escorts her to the door of the conservatory There Lauderdale, who is talking with some men, comes forward and offers her his arm to take her to the carriage. And then adieux are said, and the duke accompanies her downstairs, whilst Lady Rodney contents herself with one of her sons. THE FIRST MEDICINE LODGE.
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